Isaac Israels
Dutch, 1865-1934 Son of Jozef Israëls. He was largely self-taught, showing precocious talent and attending the Academie in The Hague in 1878-80. His first paintings date from 1880-84 and include a self-portrait, portraits of women and military subjects such as Bugle Practice. They were composed in the studio in a precise style, soft grey and brown tones predominating, showing the influence of the Hague school. In 1887 Israels moved to Amsterdam, where he was at the centre of the Tachtigers of writers and painters. Among his friends were George Hendrik Breitner, Lodewijk van Dyssel, Frans Erens, Max Liebermann, Jan Pieter Veth and Jan Voerman. In Amsterdam, after a brief and abortive period at the Rijksacademie, he sought a more fluent technique with which to record contemporary life. His drawings and watercolours are predominantly of cafes, cabarets, dance halls and the street life of Amsterdam. In 1889 he visited Paris, where he met St phane Mallarm, Berthe Morisot, Odilon Redon and Emile Zola. In 1894 he painted Three Servant Girls, the first of his plein-air pictures. From then on he applied transparent colours to capture the fleeting effects of light in oil, watercolour and pastel. His oils were painted in flat broad strokes. For the rest of his life he employed his very personal Impressionist style, which emphasized the interplay of light, colour, line and movement. His favourite subjects were beach, street and park scenes
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Isaac Israels Donkey Riding on the Beach oil painting


Donkey Riding on the Beach
Year: c. 1898-1900 Characteristics: oil on canvas, 51 x 70 cm cyf
Painting ID::  75862 		Isaac Israels
Donkey Riding on the Beach
Year: c. 1898-1900 Characteristics: oil on canvas, 51 x 70 cm cyf
   
   
     
Isaac Israels Woman before oil painting


Woman before
Date 1917(1917) Medium Oil on canvas cjr
Painting ID::  81949 		Isaac Israels
Woman before
Date 1917(1917) Medium Oil on canvas cjr
   
   
     
Isaac Israels Young woman oil painting


Young woman
1895 - 1900 Medium oil on cardboard Dimensions 61.2 X 45 cm (24.1 X 17.7 in) cjr
Painting ID::  92387 		Isaac Israels
Young woman
1895 - 1900 Medium oil on cardboard Dimensions 61.2 X 45 cm (24.1 X 17.7 in) cjr
   
   
     
Isaac Israels Bois de Boulogne oil painting


Bois de Boulogne
Date Unknown Medium oil on canvas Dimensions 39.9 x 65 cm TTD
Painting ID::  93579 		Isaac Israels
Bois de Boulogne
Date Unknown Medium oil on canvas Dimensions 39.9 x 65 cm TTD
   
   
     
Isaac Israels Woman before oil painting


Woman before
Date 1917(1917) Medium oil on canvas TTD
Painting ID::  93580 		Isaac Israels
Woman before
Date 1917(1917) Medium oil on canvas TTD
   
   
     
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     Isaac Israels
     Dutch, 1865-1934 Son of Jozef Israëls. He was largely self-taught, showing precocious talent and attending the Academie in The Hague in 1878-80. His first paintings date from 1880-84 and include a self-portrait, portraits of women and military subjects such as Bugle Practice. They were composed in the studio in a precise style, soft grey and brown tones predominating, showing the influence of the Hague school. In 1887 Israels moved to Amsterdam, where he was at the centre of the Tachtigers of writers and painters. Among his friends were George Hendrik Breitner, Lodewijk van Dyssel, Frans Erens, Max Liebermann, Jan Pieter Veth and Jan Voerman. In Amsterdam, after a brief and abortive period at the Rijksacademie, he sought a more fluent technique with which to record contemporary life. His drawings and watercolours are predominantly of cafes, cabarets, dance halls and the street life of Amsterdam. In 1889 he visited Paris, where he met St phane Mallarm, Berthe Morisot, Odilon Redon and Emile Zola. In 1894 he painted Three Servant Girls, the first of his plein-air pictures. From then on he applied transparent colours to capture the fleeting effects of light in oil, watercolour and pastel. His oils were painted in flat broad strokes. For the rest of his life he employed his very personal Impressionist style, which emphasized the interplay of light, colour, line and movement. His favourite subjects were beach, street and park scenes

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